IJ Duncan

https://www.ianjamesduncan.com/wp-content/uploads/2023/01/Expert-30-Brand-ZSKM0063000H.mp4

Producing, Post & VFX Supervision

While heading up post at Mirada I was able to post-produce these Sentry Insurance spots from on-set VFX supervision to final delivery. A b-roll shot I grabbed on my Blackmagic pocket 4k also made it into the final spot.

Polartropica – Music Video

I VFX Supervised and finished this music video. First time using Davinci cloud database for shared remote workflows and I have to say it works pretty fraking well.

A hypnotic adventure into Wonderland with a dark and bloodthirsty twist sets the stage for LA indie artist Polartropica’s new music video for What’s Your Fantasy, directed by Vanessa Marzaroli.

The Midnight Cub

Worked on this with Mas FX. Great fun.

Here’s some stuff that didn’t make it in. Generated with Midjourney.

Not the cats. Really? That was Coco. Cyborg cat.

Dolby

Some of my work producing and posting Dolby shoots over the years.

Modular Post & Finishing Booth Design

I joined Enderby Entertainment at the tail end of 2020 on a contract to launch new offices in Canada.

Office rendering animation I made in Blender.

During my time there Designed the office space and custom booths for color and finishing. The design was done by me Blender and the booth was manufactured locally.

VFX Supervised: “North Sea Connection”

Supervised VFX from this series. Shout out to the editorial team in Sweden.

View it on IMDB:

The stunning scenery of Ireland’s west coast conceals a dark secret in ‘North Sea Connection’, in which Ciara must confront the dramatic consequences of her brother Aidan’s decision to transport drugs at sea.

VFX Supervised “Zero Contact”

So this was the first film I VFX supervised after selling Chariotdrive to Enderby Entertainment. Shout out to the VFX team! Zeke, Alexey and Stefano.

Virtual Production | In Camera VFX | UE4 Development

Started developing some UE4 nDisplay volume stuff. This is really amazing and where its heading will change the VFX industry.

It started with a standard monitor to get the thing working. The main driving force was the lazy Susan idea where you could rotate the stage to avoid needing screens all around you.